Convention of architecture Diagrammatic Transformation of Architecture Research Paper

Convention of architecture Diagrammatic Transformation of Architecture - Research Paper Example The paper also provides an explanation of the tradition of architecture’s orientation to the convention of the diagram. A detailed description of how this idea diagram has been critiqued through a manifestation in contemporary projects is provided. Finally, the paper provides theory analysis to stake a new position in the contemporary architecture field. A diagram is simply an illustrative figure that offers a general scheme or an outline of an object, devoid of representing the precise appearance of it, in order to show the shape and the relations of the different parts of the object. It is a technique utilized to help illustrate what people are thinking in their heads (Reynolds 11). Ever since the 1980s, the convention diagram has been the favored method for theorizing, communicating, making and researching architectural designs, projects and ideas. Therefore, the rise of diagrams, in preference to the model or drawing was a major novel development in the process of design i n the late twentieth and early twenty-first centuries. Classical architecture is simply the architecture of ancient Rome and the architecture of ancient Greece, as well as the architectural style(s) influenced by those; it is the architecture of classical antiquity. Classicism in architecture stresses on geometry, proportion, symmetry as well as the regularity of parts as they are illustrated in the architecture of Ancient Greece and Rome. ... Figure 2: Diagram of the Parthenon The diagram of the Parthenon above illustrates how the way the Parthenon Frieze, in blue, ran around the architrave on the inner rows of the columns. It is of note that the frieze was a sequence of, bas relief stone picture carvings that show dissimilar people partaking in the Panathenaic Festival Procession. In regards to the tradition of classicist architecture’s orientation to the convention of diagram, various classical personalities such as Vitruvius, Philibert de I'Orme and Leonardo Da Vinci. Figure 3: Ampiprostyle temple and diagram of winds The figure above shows Amphiprostyle Temple. On the right is diagram of winds. Philibertde I’Orme: Architecture Rouen 1648. The diagram of winds figure resembles that in Vitruvius for perfect city plans, as well as the illustrious renaissance scheme of man as a measure of things by Leonardo da Vinci. It illustrates an obsession with the centralized plan. Figure 4: Vitruvius diagram of the wi nds Vitruvius who flourished during the late first century BCE describes 8 principal winds, although he noted that there are many other winds, though somehow dissimilar from the major 8 winds. He relates a list of 2 variations on either side of the 8 principal compass yielding up a wind rose comprising 24 winds. The winds are easy to draw since they are spaced equally at 15Â ° from one another. Other than wind direction, Vitruvius also used diagram to show town planning expressing his ideas of ideal city. Other than Vitruvius, Leonardo da Vinci also flourished as far as classicism architecture is concerned. Figure 5: Vitruvian Man by Leonardo da Vinci, 1490 Leonardo da Vinci’s